“In the face of mass automation and artificial intelligence, the impending threat/promise is that we will all become productively superfluous.” –Simon Goldin and Jakob Senneby
As we enter the so-called post-work era, where technology will eventually replace every job that shares a predictable pattern of repetitive activities, even the creative tasks are susceptible to automation.
ARESTA is a sculptural sound installation that turns an ensemble of saxophones into a self-functioning entity by making the instruments autonomous. Suspended by custom metal structures, the saxophones no longer need a human body in order to perform.
Speaker cones are placed inside the bodies of the saxophones, allowing sound to resonate through the tube, creating particular timbres for each instrument. A hundred LEDs inside the instruments are activated in perfect synchronization with the sound. They form a choreography of light and create a sense of movement, even while the instruments are motionless.
The music is generated by a computer, using algorithmic composition and a custom neural network created in collaboration with Gaëtan Hadjeres from the SONY studios in Paris. The neural network is capable of composing chorales in the style of Bach – Bach took melodies from Lutheran hymns and harmonized them in four voices. Trained with 352 Bach chorales, this software automatically harmonizes a melody written for the saxophone ensemble.
ARESTA is a performative installation which exists in various modes, at times with a musician and at times without. The varying absence and presence of a performer who interacts with the installation, provokes questions around the need for a human body on stage and the potential obsolescence of the human performer