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	<title>Marc Vilanova</title>
	<link>https://marcvilanova.com</link>
	<description>Marc Vilanova</description>
	<pubDate>Tue, 20 Oct 2026 20:03:21 +0000</pubDate>
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		<title>Home</title>
				
		<link>https://marcvilanova.com/Home-1</link>

		<pubDate>Sat, 09 Apr 2022 04:18:39 +0000</pubDate>

		<dc:creator>Marc Vilanova</dc:creator>

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	Cascade. 2023Sculptural Sound InstallationVariable dimensions (max: 10m x 6m x 0,3m). 128 channel sound, 128 speaker cones, 128 light- diffusing optic fiber, 128 lasers, 64 amplifiers, 16 audio interfaces, 3D printed modules, 2 custom PWM-DMX boards, wood, custom software.



	
	Limen (2019)










Sound/Light Installation












10m x 0,6m x 2m. 4 channel sound, 128 LED fluorescent lamps, dmx relays, wood, steel, polymethyl methacrylate, custom software.

	&#60;img width="6240" height="4160" width_o="6240" height_o="4160" data-src="https://freight.cargo.site/t/original/i/c40868927ac4a24a1b5f81cccd2423630f0c09f26adb92858c865fb864ebd167/IMG_0797-copia.jpg" data-mid="140431504" border="0"  src="https://freight.cargo.site/w/1000/i/c40868927ac4a24a1b5f81cccd2423630f0c09f26adb92858c865fb864ebd167/IMG_0797-copia.jpg" /&#62;
	Phonos (2020-2022)




Sculptural Sound Installation

	
		
		
	
	
		
			
				
					3m x 5m x 3m. 208 channel sound, 208 speaker
cones, 104 ampli ers, 26 audio interfaces, audio
cables, steel, custom software.

				
			
		
	


	
	Spike (2019)










Sond/Light Installation4m x 4m x 3m. 8 channel sound, 14.200 ribbon cables, 210 LEDs, wood, braided steel cable, dmx controllers, custom software.

				
			
		
	


	
	Aresta (2018)Sound/Light Installation/Performance7m x 4,5m x 3m. 12 channel sound, saxophones,
steel, wood, speaker cones, LEDs, dmx controllers,
custom software, custom electronics, dimmers

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		<title>Work</title>
				
		<link>https://marcvilanova.com/Work-2</link>

		<pubDate>Sat, 09 Apr 2022 01:01:14 +0000</pubDate>

		<dc:creator>Marc Vilanova</dc:creator>

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		<title>Grounded Frictions</title>
				
		<link>https://marcvilanova.com/Grounded-Frictions</link>

		<pubDate>Sun, 31 Aug 2025 15:01:04 +0000</pubDate>

		<dc:creator>Marc Vilanova</dc:creator>

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Grounded Frictions. 2025Sculptural Sound Installation

1m × 1m × 3,5m. 64-channel sound, speaker cones, fiber optics, lasers, custom PCBs, aluminium, steel, custom software. 

				
			
		
	
Grounded Frictions emerges from an act of listening to the depths of the Earth. Using geophones, Vilanova recorded the infrasound that propagates underground, including vibrations emitted by gas wells, where extraction destabilises rock formations and threatens subterranean biodiversity.

In a darkened gallery, an array of fiber optic strings stretches from floor to ceiling, each anchored to a speaker. Unable to reproduce audible tones, the threads tighten and quiver in response to the recordings. Light flickers and dims as it traces a choreography of tension and release. Visitors are invited to walk around or sit within the space, encountering vibrational forces across elusive temporal and perceptual scales.

In Grounded Frictions, these earthly vibrations may be felt before they become intelligible. The work explores the ways technologies expand and mediate our perception into domains out of reach, and how attuning to these soundscapes might foster environmental awareness. Within these frictions, a more-than-human sensorium takes form.Credits:
Commissioned by: Mattress Factory
Concept, Design and Construction: Marc VilanovaProduction and Curation: Danny Bracken
Construction Collaborators: Natalie Miczikus, Max Almedia, Clarisa EsevichTechnical Design: Javi Albo
Software: Alfredo ArdiaCustom Hardware and Firmware: Wesley Lee
Text: Ana Prendes
Support: Institut Ramon Llull, Biennal d’Arts Digitals, Konvent PuntzeroAvailable for booking





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		<title>Phonos</title>
				
		<link>https://marcvilanova.com/Phonos</link>

		<pubDate>Sat, 09 Apr 2022 03:41:12 +0000</pubDate>

		<dc:creator>Marc Vilanova</dc:creator>

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&#60;img width="6240" height="4160" width_o="6240" height_o="4160" data-src="https://freight.cargo.site/t/original/i/61ee1f3e50ea30c6dd8e5e0f020ddd009ae6cab09441f528893499fce17174ac/IMG_0810-copia.jpg" data-mid="139825191" border="0"  src="https://freight.cargo.site/w/1000/i/61ee1f3e50ea30c6dd8e5e0f020ddd009ae6cab09441f528893499fce17174ac/IMG_0810-copia.jpg" /&#62;



	Phonos. 2020-2022
Sculptural Sound Installation

	
		
		
	
	
		
			
				
					3m x 5m x 3m. 208 channel sound, 208 speaker
cones, 104 ampli ers, 26 audio interfaces, audio
cables, steel, custom software.

				
			
		
	


Infrasounds drift beneath the threshold of human hearing. Despite remaining largely unresearched and unregulated, these low-frequency vibrations shape ecosystems and impact the well-being of humans and more-than-humans.


Phonos is a sculptural installation of 208 recycled speakers – each one restored, stripped of its cone, and reprogrammed to receive a unique infrasound. Too small to voice these signals into the air, the speakers reveal their mechanical effort: coils vibrate, membranes ripple in tension and metallic components creak. An algorithm modelled on collective animal behaviour sequences their movements into an ever-changing polyrhythm of tremors and buzzes.


Despite its monumental scale, Phonos invites closeness. The sculpture becomes a living organism that breathes and pulsates, creating an intimate, shared experience to attune to imperceptible acoustic ecologies. Through embodied listening, Phonos offers a space to relate to and care for the sonic worlds that hold us.





Credits:
Commission: Fundació Phonos
Idea &#124; Production &#124; Design &#124; Construction:&#38;nbsp;Marc Vilanova


Structure designed and created in collaboration
with: 2monos


Metal
Work: Alejandro Dumon, Ivan Mena


Hardware and Software: Alfredo Ardia


Installation Support: Venus Villa, Mateu Targa, Joan Perramon,&#38;nbsp;Júlia Faura


Help: Giovanna Langone, Arantxa Boyero, Llorenç Balaguer, Joan Manel Pérez, David Chia, Gil Roca, Marc Ramis, Montse López, Berenice Moran, Caro Palmeiro, Alexis Castellano, Fernando Garcia-Valiño, Alejandra Andrés, Pedro Ramoneda, Teresa Pelinski, Lucas Elías, Joaquín Molina, Matías Tolchinsky,&#38;nbsp;Jakov Habjan


Special Thanks: Jordi Alomar, Ángel Faraldo, Universitat Pompeu Fabra, Carles Pons, Lluís Campos, Anna Benet, Mar Medinyà, Iris Yirei Hu, Philippe Dumon, Nicoletta Mantoan, Família Vilanova Pinyol, Can Timoner, Konvent Puntzero


Support: Fundació Phonos, OSIC, Fabra i Coats, Casal Solleric, Museu de la Música, Auditori de Barcelona, Institut Ramón Llull







Photos: Anna Benet
Available for booking

				
			
		
	




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	<item>
		<title>Limen</title>
				
		<link>https://marcvilanova.com/Limen</link>

		<pubDate>Sat, 09 Apr 2022 03:38:50 +0000</pubDate>

		<dc:creator>Marc Vilanova</dc:creator>

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	Limen. 2019Sound/Light Installation












10m x 0,6m x 2m. 
4 channel sound, 128 LED fluorescent lamps, dmx relays, wood, steel, polymethyl methacrylate, custom software.
Limen begins with an exploration of the fluorescent light tube. This industrial, workaday lamp emits frequencies above 20 kHz, which lie beyond the threshold of human hearing. These extremely high-pitched sounds were recorded with specialsied ultrasounds detectors and transformed into an audible composition built, which will remain imperceptible otherwise.

128 fluorescent tubes are arranged in a linear structure based on the waveform of the ultrasonic emissions, dividing the space in two. As the composition fills the room, in turn, their sonic presence triggers a delicate light sequence: darkness alternates to intermittent, intense bursts that displace across the structure. Together, the tubes form a yellow field that spills beyond their boundaries into the surrounding architecture. Through an accumulative and collective experience of light and sound, they shift between object and phenomenon, between their material presence and optical effects. 


				
			
			
		
	

Credits
Commission: Art &#38;amp; Tech
Days


Produced
by: Creative Industry Košice


Co-producer: Klangraum Krems


Residency Hosts: KAIR Košice
Artist in Residence,&#38;nbsp;Artist in Residence
Niederösterreich
 Idea, Sound, Design, Software: Marc Vilanova 


Production: Tatiana Takáčová, Ivana
Rusnáková,&#38;nbsp;Paula&#38;nbsp;Haslinger


Studio Assistant: Rebeca
Urízar


Installation
Support: Gabriel Podolinský


Software Support: Alfredo ArdiaText:Ana Prendes

Special Thanks: Igi Ayedun, Michal
Hladky, Petra Houskova, Anna
Mária Trávničková, Miroslava Rybarova, Lisi Grand, Klaus Moser, Ernst Steindl
and the Minoritenkirche Team.



 Camera: Robert Rampacek, Tatiana Takáčová


Edit: Marc Vilanova


Color: Venus Villa


Photos by: Tatiana Takáčová
Available for booking


With the support of:&#38;nbsp;
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		<title>Cascade</title>
				
		<link>https://marcvilanova.com/Cascade</link>

		<pubDate>Thu, 05 Sep 2024 08:10:24 +0000</pubDate>

		<dc:creator>Marc Vilanova</dc:creator>

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&#60;img width="3333" height="5000" width_o="3333" height_o="5000" data-src="https://freight.cargo.site/t/original/i/265bcb743fe180231eb7e6786a4d183d66993a8e722a6253a35e12d736855067/Cascade-by-Marc-Vilanova-at-Espace-400e--Mois-Multi--Quebec-City--Photography_Charline-Clavier--2023--1.jpg" data-mid="217516048" border="0"  src="https://freight.cargo.site/w/1000/i/265bcb743fe180231eb7e6786a4d183d66993a8e722a6253a35e12d736855067/Cascade-by-Marc-Vilanova-at-Espace-400e--Mois-Multi--Quebec-City--Photography_Charline-Clavier--2023--1.jpg" /&#62;
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&#60;img width="5184" height="3456" width_o="5184" height_o="3456" data-src="https://freight.cargo.site/t/original/i/61ee1b099d9f5bd2c93602eb621849629ae098147662818d1c402ef92c413279/Waterfall-Recordings-at-Montmorency-Falls--Quebec-City--Photography_Felix-Tremblay--2022--2.JPG" data-mid="217516080" border="0"  src="https://freight.cargo.site/w/1000/i/61ee1b099d9f5bd2c93602eb621849629ae098147662818d1c402ef92c413279/Waterfall-Recordings-at-Montmorency-Falls--Quebec-City--Photography_Felix-Tremblay--2022--2.JPG" /&#62;
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&#60;img width="2876" height="1618" width_o="2876" height_o="1618" data-src="https://freight.cargo.site/t/original/i/747d787a383a0cc3d89932b8daf2e3800fc4320276ba0f9c356bcd8416b5e0a6/Cascade-by-Marc-Vilanova-at-Avatar--Quebec-City--Photography_Alexandre-Berthier--2022--1.png" data-mid="217516059" border="0"  src="https://freight.cargo.site/w/1000/i/747d787a383a0cc3d89932b8daf2e3800fc4320276ba0f9c356bcd8416b5e0a6/Cascade-by-Marc-Vilanova-at-Avatar--Quebec-City--Photography_Alexandre-Berthier--2022--1.png" /&#62;

















	Cascade. 2023


	
		
		
	
	
		
			
				
					Sculptural Sound Installation

				
			
		
	


Variable dimensions (max: 10m x 6m x 0,3m). 128
channel sound, 128 speaker cones, 128 light-
diffusing optic fiber, 128 lasers, 64 amplifiers, 16
audio interfaces, 3D printed modules, 2 custom
PWM-DMX boards, wood, custom software.

				
			
		
	


				
			
		
	

Waterfalls emit infrasonic frequencies that travel across vast distances. Imperceptible to human hearing, these signals guide certain migrating birds during their journeys, serving as an invisible compass. At the same time, growing sources of anthropogenic infrasound, from wind turbines to aviation, alter these acoustic landscapes and disrupt the orientation patterns many species rely on to navigate the world.

Vilanova captured the infrasound emitted by the Iguazú Falls in Brazil and Argentina, the Niagara and Montmorency Falls in the US and Canada,. In Cascade, a series of speakers unable to reproduce such frequencies transduce their vibrations into a suspended field of fibre-optic strands. The signals travel downward; the sound waves appear to ‘fall’ through shifting light. As the fibres quiver and tremble, visitors are invited to move through this suspended environment, to touch and sense how these aquatic frequencies take form on the skin. 

Cascade proposes an expanded, embodied form of listening: an invitation to attune to these fragile sonic ecologies and attend to their preservation.
Credits:Idea, Production, Construction: Marc Vilanova3D Design: Javi Albo, Rodrigo WaihiweTechnical Design &#38;amp; Fabrication: Javi AlboSoftware: Alfredo ArdiaCustom Hardware and Firmware: Wesley Lee3D Printing:&#38;nbsp;Nuno Oliveira
Text: Ana Prendes
Installation Support: Johanna Palmeyro, Clarisa Esevich, Márcio Ferreira, Tiago Rosendo, Guillaume Côté, Myriam Lambert, Triska Sicuranzo, Matias Tolchinsky, Elsa Guerra, Alba Medinyà, Neus Masdeu, Júlia Faura, Mercè Lledós, Lisandro Marquez
Support: EMAP, Creative Europe, Avatar Center, Institut Ramon Llull, OSIC, Konvent Puntzero






















Photos:
Eloise Coomber,&#38;nbsp;Adriano Ferreira,&#38;nbsp;Charline ClavierThis work was realized in part within the framework of the European Media Art Platform (EMAP) residency program at Gnration with support of the Creative Europe Culture Programme of the European Union, Avatar Center, and the Institut Ramon Llull.
Available for booking


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		<title>Fremor</title>
				
		<link>https://marcvilanova.com/Fremor</link>

		<pubDate>Sat, 11 Jul 2026 12:53:06 +0000</pubDate>

		<dc:creator>Marc Vilanova</dc:creator>

		<guid isPermaLink="true">https://marcvilanova.com/Fremor</guid>

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&#60;img width="5504" height="3072" width_o="5504" height_o="3072" data-src="https://freight.cargo.site/t/original/i/c9e74dfd5830f85f7c6b28112b8aa07156c8e1e8e4fe8605a2810188285eaa20/Upscaled-Image-Runway_Massively_enhance_image_quality_and_0613262.png" data-mid="250330911" border="0"  src="https://freight.cargo.site/w/1000/i/c9e74dfd5830f85f7c6b28112b8aa07156c8e1e8e4fe8605a2810188285eaa20/Upscaled-Image-Runway_Massively_enhance_image_quality_and_0613262.png" /&#62;
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&#60;img width="5504" height="3072" width_o="5504" height_o="3072" data-src="https://freight.cargo.site/t/original/i/0f59474cba20333cc08f732eba92a017aa4fc26c3d616f576027fc58ab5d916c/Upscaled-Image-Runway_Massively_enhance_image_quality_and_0613261.png" data-mid="250330910" border="0"  src="https://freight.cargo.site/w/1000/i/0f59474cba20333cc08f732eba92a017aa4fc26c3d616f576027fc58ab5d916c/Upscaled-Image-Runway_Massively_enhance_image_quality_and_0613261.png" /&#62;

	Fremor. 2026
Sound/Light InstallationFremor listens to what passes through the building structure: wind striking the glass, the vibrations of the underground infrastructures, the urban traffic and people movements of its surroundings. Geophones have registered these persistent, low-frequency waves as they travel through the building, and Fremor transforms them into a sustained movement, in a respiratory rhythm.

Installed on the façade of the National Theatre of Catalunya, a series of twelve-metre long luminous tubes stretch diagonally, taut as strings pulled across the space. Against the building, each tube reads first as a static line of light. Until they move in response to the real patterns of structural vibration, in a gesture that is minimal and continuous. And around them, a soundscape lets these tremors be heard, and sensed, in the open air.
Fremor evokes a silent trembling. The installation unfolds an ecology of tensions: the subsoil as a sensitive surface, architecture as a living body, the inaudible as a trace suggesting that what sustains us may no longer be apparent stability, but tremor itself. 




Available for booking

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		<title>Coreto</title>
				
		<link>https://marcvilanova.com/Coreto</link>

		<pubDate>Sat, 09 Apr 2022 03:49:56 +0000</pubDate>

		<dc:creator>Marc Vilanova</dc:creator>

		<guid isPermaLink="true">https://marcvilanova.com/Coreto</guid>

		<description>
	
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	Coreto. 2021
Audiovisual Installation &#124; Public Space


	
		
		
	
	
		
			
				
					10m x 10m x 5m. Recycled plastic, digital LED, steel,
plexiglass, neon lights, bulbs, dmx motor, ventilators,
hazer machine, custom software.

				
			
		
	

Coreto is a site-specific inflatable installation that intervenes in the familiar architecture of the bandstand. Situated in public parks, these pavilions were designed as civic music stages for communal attention: their radial geometry disperses sound in all directions, the lifted platform ensures line of sight for crowds, the open-air perimeter allows listeners to gather, converse, or drift away. Listening, here, is always a collective act.

From outside, a soft salmon-pink skin expands against the rigid historic metalwork, creating a spilling sculpture between the columns like a held breath. A structure defined by its opennes has become enclosed. Inside, visitors enter a crumpled plastic environment; where wall, ceiling and ground dissolve into an unfamiliar but physically intimate atmosphere. And sound makes the membrane porous: a composition built from field recordings of the city and a real-time microphone capturing its surroundings soundscapes activate a light-colored ring installation suspended overhead. 

Familiarity with our surroundings often becomes its own kind of deafness. In Coreto, what fills the space is the city playing back for the pavilion – transformed, slowed, made strange – inviting visitors to listen to something they have always inhabited.&#38;nbsp;
Coreto was made in collaboration with Penique Productions and commissioned by the Festival des Arts Numériques Pléiades in Saint-Étienne.



Credits:



















Commission: Festival des Arts Numériques Pléiades,&#38;nbsp;Ville
de Saint-Étienne



Idea &#124; Light &#124; Sound &#124; Software:&#38;nbsp;Marc Vilanova
Inflatable: Penique Productions


Production:&#38;nbsp;Raphael Jourjon


Technical Production:&#38;nbsp;Abdenour Titiem


Metal Work:&#38;nbsp;2monos 


Lighting Fixtures:&#38;nbsp;Luz Negra


Lighting Technology:&#38;nbsp;Protopixel


Installation Support: Dominique Bour, Lary Jean-Batiste, Jonathan Nicodème, Laurraine-Sophie&#38;nbsp;Plantegenest,&#38;nbsp;Saint-Étienne Tech Team
Special Thanks: Jerome Villeneuve, Laura Segura, Mateu Targa, Joan Albert Gisbert, Berni Puig, Konvent.0



Photos:
Anna Benet
Text: Ana Prendes
Available for booking

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	<item>
		<title>Attuning device</title>
				
		<link>https://marcvilanova.com/Attuning-device</link>

		<pubDate>Tue, 20 Oct 2026 20:03:21 +0000</pubDate>

		<dc:creator>Marc Vilanova</dc:creator>

		<guid isPermaLink="true">https://marcvilanova.com/Attuning-device</guid>

		<description>
	
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	Attuning device (2025)Sound SculptureIn Attuning Device, a series of glass tubes, translucent and irregular, descend from the ceiling like roots or nerves to hover just below head height. As you approach one of its ends, a sound composition, between harmony and disintegration, emerges. The sounds have been resurfaced from the building’s deeper architecture and ground. 

The work draws on Hartmut Rosa’s concept of resonance as a particular mode of relating to the world, in which something outside oneself affects the subject, elicits a response, and has the potential to transform them. 

And Attuning Device creates a space for resonance with others. Through its fragile structure, visitors listen intimately to sounds generated by the architecture and the bodies gathered around it. It asks how we can open ourselves to being affected, or transformed, unpredictably and without control, by sound and by one another.

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		<title>Spike</title>
				
		<link>https://marcvilanova.com/Spike</link>

		<pubDate>Sat, 09 Apr 2022 03:48:02 +0000</pubDate>

		<dc:creator>Marc Vilanova</dc:creator>

		<guid isPermaLink="true">https://marcvilanova.com/Spike</guid>

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	Spike. 2019
Sond/Light Installation4m x 4m x 3m. 8 channel sound, 14.200 ribbon cables, 210 LEDs, wood, braided steel cable, dmx controllers, custom software.
14,200 ribbon cables hang from a curved wooden frame in four bands of colour, forming an open cylinder to walk through and stand inside. The work, Spike, is a sculptural sound installation built from recordings of electromagnetic fields captured from everyday electronic devices. The cables, which were recovered from early computers, retain the traces of an obsolete technology, now exposed from ceiling to floor as sculptural material.

Along the structure, more than 300 LEDs scatter rhythmic flashes, arriving and gone before the eye can hold them, like sparks with no fire behind them. In synchronisation, the electromagnetic recordings form a textured soundscape of hums and clicks, closer to the noise of a short circuit overheard from another room than to any familiar machine.

Spike approaches a technological environment that runs constantly around us and stays, even so, out of reach. Light and sound create a bodily experience at a monumental scale, which contrasts with the intimacy of standing inside it. Its porous boundaries act less as a wall than a theatre curtain: crossing it, the body becomes a spectator and participant within the larger electromagnetic infrastructures in which it is embedded.

Credits&#38;nbsp;
Created during a residency: &#38;nbsp;Bemis Center For Contemporary Arts


Idea &#124; Construction &#124; Light &#124; Sound &#124; Software: Marc Vilanova
Studio Assistant: Alex Jacobsen


Help: John Round, Katie Marya, Tyler Swain


Technical Support: Prototype Design Lab, Metropolitan Community
CollegeText: Ana Prendes
Special thanks: Josh Johnson, Holly
Kranker, Igi Ayedun, Sylvie Fortin, Rachel Adams, Chris
Cook, Cameron A Granger, Rodney Ewing, Irini Miga, Adam Milner, Kandis Friesen,
Jes Fan, Melanie Mclain, J.C Todd, Joel Kuennen, Konvent.0



 Camera:
Itzi Calle


Video
Edit: Mac Vilanova


Color:
Carles Pons Altimira


Sound
Mixing: Santiago Latorre


Photo:
Itzi Calle, Colin ConcesAvailable for booking

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